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It’s not comfortable, but it’s authentic and I’d love to repeat the experience.” After moments of initial terror, I loved it I became aware of the politics informing the film, slowly I began to believe that, despite ‘lockdown’, I was really there, and my anxieties were grist to the mill.
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But Stevan directed cunningly he knew how to coax and encourage. “All filming is an act of faith this film required much more faith than usual. I knew nothing of ZOOM filming techniques, of the Serbian language, of the strangeness of acting with someone I didn’t know and couldn’t look at, of providing my own clothes and props using my home as a location. Miriam said: “Making my debut in a Serbian film in my 80th year was just a part of the wonder of this experience. Miriam Margolyes stars as Granny Vera, a British Yugo-phile who lives in Belgrade with her dog, Tito a role written especially for her by Stevan. Most of the action is seen via computers, mobile phones, tablets, webcams and surveillance cameras and the actors recorded themselves, often in their own homes.
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Shot within social distancing guidelines in Serbia and the UK, the film embraces the limitations of lockdown to craft a compelling movie in an unconventional way. Written and directed by acclaimed Serbian director Stevan Filipović (Skinning, Next to Me), Next to You is a murder mystery set during the Covid-19 pandemic about the emancipation and transformation of a young journalist in her struggle to find morals and integrity in a world that can seem increasingly populist. Winner of the Coalition Against Discrimination annual award for 2012.BAFTA-winning British actress Miriam Margolyes will make her Serbian debut in a contemporary lockdown thriller Next To You ( Pored Tebe) filmed in London and Belgrade. He is writing for Serbia’s premium left-wing political web portal, Peščanik ( ), and newspaper Danas ( ).
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He was on Pula International Film Festival Jury in 2016.ĭirected the pilot and 3 episodes of Serbian remake of WB Television series ER. He's also currenty developing a screenplay for a film named Blue Treasure with an UK writer Ben Ockrent (represented by Independent Talent in UK, and CAA in the States) aimed at international market, and designed by Academy and Bafta award-winning team at WETA Workshop, New Zealand (Lord of the Rings, Hobbit.). His next film Heart of Darkness (a Serbian/French/Belgian coproduction, co-written by Jasmina Kallay from Croatia/UK, to be directed by SF) got Creative Europe Media programme financial support for development. hit of the season), winning main awards on all Serb.
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Next to me also got favorable reviews and mentions in Hollywood Reporter, Screen Daily, Cineuropa, Variety, and had more than 81K viewers in cinemas (no.1 B.O. It was also screened at 21st Sarajevo Film Festival (Young Audience Award), and more than 20 other int'l festivals. It had the world premiere at 62nd Pula Film Festival in Croatia, and won the the Golden Arena award for best film in the int'l program. Next to Me (Pored mene), is the 3rd film he directed (and co-wrote). He co-wrote (with Mirjana Karanović) the screenplay for the film Dobra žena (A Good Wife), which had it's world premiere at prestigious Sundance Film Festival. Stevan was the editor of Maja Miloš’s film Clip (Klip, 2012), which won Rotterdam FF Tiger Award that year. The film was screened in the British Parliament and Oxford University. Skinning was the backbone of a wider campaign against violence and fascism in Serbia. It won major awards on all Serbian film festivals and was screened at more than 20 international festivals.
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His next film was Skinning (Šišanje, 2010, director/co-writer), a political drama about extreme right-wing hooligans in Serbia, was the biggest domestic box office hit that year (more than 80K adm. Shaitan’s Warrior was screened at numerous festivals in Serbia and worldwide, at Peter Jackson's WETA Workshop in New Zealand, and won Grand Prix at Grossmann Fantasy Film Festival in Slovenia in 2006. Combining genre elements from the 80’s flicks, as well as contemporary fantasy cinema, it was hailed as a breath of fresh air by both the critics and cinemagoers (~35K admissions in cinemas). Stevan Filipović's first feature was Shaitan's Warrior (Šejtanov ratnik, 2006, director/co-writer).