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Ultimately, both programs have their benefits and drawbacks.
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In the end, both programs have very legible and professional-looking notation and score elements, which follow orchestration and score manual principles, and wouldn’t look out of place in a published edition. Musescore is definitely making major strides to make its output look just as professional. It has always looked very well-considered and has had a very professional appeal to it. In my opinion, Sibelius’ notation aesthetics and the general look of the score holds the floor. One of the most important considerations to make when choosing a notation platform is the score aesthetics – or how it will look when printed.
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In the end, it’s not always about how the interface looks, but how easy the software is to use and the results of working with them in the end. I understand that Musescore 4 will see a major reworking of the platform to enable it to truly compete with Sibelius, Finale and Dorico, while most likely look much nicer in the process.
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I have to say, I prefer the more streamlined approach of Musescore. It also allows for a good deal of customisability, such as creating a custom palette of elements you might use the most, such as keys, time signatures, and dynamics. Everything is clearly marked and is where you would expect to find them. This – at least to me, speeds the process up. Musescore uses a palette system, which is effectively a categorised menu system with drag and drop elements. To a beginner or even seasoned pro, this can be a pain, as some things aren’t where you would expect them to be and it often slows you down as you spend time looking for the right element or tab.
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Can they be used to their full capacity with a bit of patience and experience in using the programs, absolutely?įor example, Sibelius now makes use of a rather daunting tabs ribbon, where all of your elements are housed. Are both platforms perfect? Absolutely not. 2) doesn’t quite look as well polished, but for a free, community-built program, it is absolutely superb in my opinion. 1) in 2021 has become far more complex than it was when I began using it, back in 2007 – when Sibelius 5 and 6 were the two dominant versions. I personally feel like the interface of Sibelius (fig. A point and click method for note input can also be to use a MIDI keyboard for note input too. Functionality User Interface:Īs a long term user of both platforms, I can say that the basic functionality of both programs is pretty much identical.
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It is the same platform but is severely limited by functionality, only allowing for a certain selection of instruments and a limit of 16 staves per score. There is also a free version called Sibelius First.
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They have recently moved to a new subscription-based service where you can effectively license or rent the program for a month at a time, or purchase a full license.Ī 1-year subscription paid monthly will cost 9.99Ī 1-year subscription paid upfront is 99.99 Sibelius has a few different options to work with. Just because it is free doesn’t mean it’s not good as I’ll go on to discuss. The benefit of being open source means that it is built by the community and doesn’t come with an expensive license fee, like the others. I’ll look at the cost and the usability of both platforms, so you can decide which might be the best option for you.įirstly, Musescore is completely free and can be downloaded from. As a former Sibelius user, who has now turned to Musescore, I want to lay some of the major benefits of Musescore over Sibelius, if you are just deciding to dip your toe into composition and music notation software. Lately, the open-source alternative program, Musescore has recently been taking major steps to compete with the other big 3 platforms – Sibelius, Finale, and Dorico. If you have spent any deal of time exploring music, be that as a performer or a composer, you’ll definitely have heard of music notation software – perhaps the most popular of which is Sibelius.